J1000 VST Plugins [Win32]
PKS1 v1.0
Simple peak shaper with separate thresholds for positive and negative phase. Works in full range, low-pass or high-pass filtered mode, with three types of peak shaping curve. It has double waveform scope for dry and wet signals for easy comparison. 1.7 Mb
MQ57 v1.63
Parametric mid/side equalizer designed for mastering. MQ57 has all controls and functions optimized for mastering needs: it has relatively wide Q factors that focus on overall balance rather than narrow cuts and boosts, moderate gain ranges for fine-tuning and functions such as channel linking and precise cut filters. 2.6 Mb
MQ55 v1.52
Parametric mixing equalizer based on MQ57. Most of the functions are the same, except that MQ55 operates only in stereo mode, has cut filters with milder slopes and greater operating ranges and gain ratio that acts like dry/wet control. 2.4 Mb
DQ65 v1.01
Dynamic parametric equalizer that has two gain controls per filter - one for high levels of input signal, other for low. Input signal can be scaled to utilize it's range completely. All other controls function the same way as in standard parametric EQs. Built for mixing purposes, especially for instruments and sounds with wide and varying dynamic range. 2.6 Mb
BTQ2 v1.5
Simple equalizer that twists bass and treble using two interlocked pairs of shelf and peak filters. Some famous studio equalizers use this method to achieve deep bass and sparkling treble while simultaneously reducing muddiness and harshness. Additional tilt control adjusts spectrum slope. Main advantage of BTQ2 is that it allows you to get desired results quickly. 2.3 Mb
SX36 v1.6
Multi-band stereo processor that separates audio into low, mid and high frequencies and lets you change their stereo properties - width and panning or rotation. Both crossover points are adjusted with single knob. It has simple meters for each range showing correlation or panning. 2.5 Mb
CL36 v1.01
Multi-band soft-clipper that shares layout and crossover network with SX36. Each frequency range has identical controls - clipping amount and bias, output gain and modulation. It's great for taming transients of percussive sounds and generally instruments with sharp attacks and decays. Equally useful on full-mixes for squeezing out few extra dBs. 2.5 Mb
2010, 2016 J1000